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LP4Black anodised aluminium 1.5mm

Portrait on black anodised aluminium

180 × 120mm portrait, single pass, Stucki dither — the tonal prep matters more than the settings.

Sana QureshiSana Qureshi11 August 2026 1991
Portrait on black anodised aluminium

A portrait of my grandmother on a black anodised plate. Single pass, 100% power, 1200mm/min, 1000 DPI, Stucki dither.

The part that actually mattered

The settings above are almost incidental. What made this work was tonal prep:

  1. Greyscale, then compress the tonal range hard — anodising gives you maybe three usable tones, so I lifted blacks to about 25% and pulled highlights to 90%.
  2. Local contrast with a large-radius, low-amount unsharp mask. Enough to define the eyes and hair edge without halos.
  3. Test at final size on an offcut. My first attempt at 60mm looked great; the same file at 180mm needed less contrast because the dither dots resolve differently.

Failures worth mentioning

Two passes to "make it whiter" ruined the first plate — you break through the anodising into bare aluminium and it goes grey and fuzzy. One pass, always.

Fingerprints show. IPA before, IPA after.

2 comments

Comments

Priya Raman
Priya Raman2 weeks ago

Textbook tonal compression. This is the example I'll point people at from now on.

Tomasz Klein
Tomasz Klein2 weeks ago

Stucki over Jarvis for faces, every time. Shadows hold together much better.

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